Falling by the wayside

March? I haven't posted since March? Jeepers (mentally adds, singing, 'creepers, where'd ya get those peepers...'). Makes me wonder just what the hell I've been up to all this time. I'd write a bit of it out if I could remember any of it. Actually, I do, but much of it isn't that interesting, and a large part of the rest would be stressful ranting and raving about the political situation in my country. There have been a number of wonderful movies I've watched, or watched again. And there has been the garden, of course. As for the movies I've screened, there have been so many it would be a minor miracle if I could still name them all. The idea was to write them down here, making notes about each, but that project fell by the wayside.

A page from the Tyndale Bible.

Now there's a phrase I haven't used for awhile, "fell by the wayside". While it's meaning is readily apparent, the origin of the phrase may not be. It goes back to a 1526 translation of the Bible by William Tyndale. It was the first bible in English to be translated from Greek and Hebrew sources, and the first to hit the printing press. There had been an earlier version (the Wycliffe Bible) in Middle English in the late 1300's, but due to its use in a pre-Reformation movement, it was banned in 1409. By the late 1400's, owning one could bring the death penalty. But that's another story. The Tyndale translation, by the way, became a principal source for the King James version of the early 1600's. The "fell by the wayside" reference is from the Gospel of Luke, chapter 8, verses 5 thru 8. It occurs just after a mention of unclean spirits being cast out of Mary Magdalene and two other women, and concerns a farmer who went out to sow his seed. The sower was a bit sloppy, and some seed 'fell by the wayside'. In fact, a lot of it seemed to fall by the wayside. Only that seed which fell upon the 'good ground' was productive. Just after the teaching of this parable, the Teacher walked upon the waters, a pretty nifty act.

Now that I've wandered off onto this tangent, I'm no longer sure of where the heck I was headed. Was it to post a few pics from the garden? Or the chance to write mildly amusing commentary on making my own tomato paste, or the adventures of putting up copious amounts of fresh homemade pesto against the depravations of winter? (I used up the very last of last year's pesto a few days before starting this year's batches.) Or were the seeds a reference to all the movies I've watched lately? Or haven't watched?

A part of the larger garden at Solar Hill (which I help maintain) where my garden is located.
At the top of the photo is a bit of the playground for the Neighborhood Schoolhouse

More of the Solar Hill garden. Just off to the left are a large number of peonies, one of which can be seen here.
The Japanese dogwood was kind of spectacular this year; it demanded a photo.

A portion of my garden this past June.

Another part of my garden in mid to late Spring.
There's lots more, including other seasons. I'm considering starting a garden blog.

That last bit in the text above (the 'haven't watched' part) refers to an attempt to screen the RKO 'Hitler's Children' for one of my younger friends. While he's knowledgeable about independent movies from the late 1980's or so up to today, he's somewhat less aware of earlier movies. At any rate, my younger friend is going to be a first time daddy soon. He made his announcement via a Facebook post whose only content was a sound file that mystified a number of folks. It was the sound of the baby's heartbeat in the womb. Now, he's never seen any of the Nancy Drew movies, and thus has no associations what-so-ever for Bonita Granville, or, for that matter, with cowboy star Tim Holt, both of whom have the lead roles in the movie. So one night not long after the incidents in Charlottesville with tiki torch bearing American Nazis, white supremacists, and the follow up ravings of Donald Trump in the role of President of the United States, we settled in to watch this bit of lurid potboiler propaganda history.

The film starts out with a Nazi rally (above), and proceeds, via flashback narration, to a 1933 confrontation between American students in Germany, and a group of teenage male Nazis in training. A fight breaks out, during which wholesome Nazi Tim Holt holds onto the American's baseball bat, refusing to give it back. Plucky Bonita Granville looks him in the eye and suddenly exclaims, "Heil Hitler". When Holt's arm rises in automatic salute, she punches him in the stomach. When the German headmaster refuses to stop his charges from fighting, the American teacher (Kent Smith, giving a performance only slightly more lively than a cigar store Indian) simply yells out, "Achtung!", which causes the German boys to fall into line. If only it were that easy in real life. We then see a little bit of the school room education of the day:

Just after Tim Holt's praise for Hitler in the clip above, my young friend asked me to stop the movie. Under the current political climate, and being an expectant father, it was too much. His heart had started racing, and he was beginning to have a bit of a panic attack. We were only about 10 minutes into the film. Thinking back on it, it was probably a good thing we changed the picture. I'd have freaked out if I was an expectant parent, too. And I'm not just thinking of the scene in which a young mother to be hopes her birth is painful as a tribute to the Führer. This picture gets far more lurid and serious.

Of course, the reverberations of movies like 'Hitler's Children' into our own time should give us pause. We currently have an administration in power which excuses the outrages of the far right, pretending there were good people amongst them, condemning those on the left for their part in the violence (even though every report I saw or read stated that the 'antifa' crowd only resorted to violence when the Nazi types began charging at women, children, the clergy, and people with brown skin). Pictures that came out of the event were startling.

Is it live, or is it Memorex?

Today I turned 67 years old. My parents divorced when I was quite little; my mother was gone by the time I was 6 months old. My father, my brother, and I lived with my Aunt and Uncle in what had been my Grandfather's house. My Uncle had fought in WWII. When television came in, I wasn't allowed to have it on much after 5pm, when my Uncle got home. The noise and cacophony of tv shows with children's laughter, and especially sudden loud sounds, unnerved him and he would fly into rages. I won't dwell on it, or on what would now be easily recognizable as PTSD, except to say that I often felt terrorized as a child. The experiences I had in those years would come back to affect me later in life. As it turns out, I was diagnosed as having PTSD too. The stresses and coping mechanisms from those days got me through my first years on my own in the late 1960's, the Vietnam war protests, getting beat up because I had long hair, being beaten up and/or threatened for being perceived as gay, being shot in the head (not as serious as it sounds, except for the psyche - it was delivered via a pellet rifle after I was seen returning a European kiss on the cheek to a male friend returning to Germany. Still, the bullet lodged in my skull and they thought I might have some damage.) During my years managing bookstores in NYC, my assistant was from Pakistan. When the Ayatollah Khomeini returned to Iran, my assistant became agitated and predicted the rise of ultra conservative Islam. He was in New York studying to become an architect so he could build decent homes for the poor of his country. He told me flat out that with the rise of conservative Islam, he was concerned about returning home; he might be killed for becoming educated, and going to the United States. The best cashier I had was a gorgeous black woman from the Caribbean, with a lilt in her voice which would make most people smile. My warehouse manager, who was the guy I trained to run the science fiction section, was from Cuba. You get the idea; I had a lot of friends and co-workers who, if they were around today, might face deportation. The sad fact of the matter is that my country is rounding people up. Some have been deported, some are being held. Many on trumped up charges, or minor traffic style violations. Now a  movement is on to deport those who were brought here as children, who grew up here, and became part of the fabric of life here. Legal protections for transgender folk are being removed. Repealing the right of marriage for gay folks won't be far behind. The Trump Department of Justice has already insisted that gay folks are not entitled to job protections under federal anti-discrimination laws. Confrontations in the culture wars continue, and will, until decent normal everyday people start to riot. And what then? Well, perhaps that's why the Trump administration has 1.2 Billion dollars in the Federal budget for 'detainee beds'. I have been accused of having a decidedly liberal paranoia about this, but I could spend several hours writing out the reasons for such suspicions, and pointing out the similarities between the US today and Europe in the early 1930's. You're free to laugh at me if you want, I won't mind. But I will remind you that Nazis are on the march. In America. They may be carrying mass market torches, but that doesn't change the fact that they are there, marching, provoking, waiting. Their own leaders will tell you that an army is being built. We have a President who threatened violence from his supporters if he wasn't elected. His supporters threaten violence if he is removed from office. Go ahead and laugh some more. But remember the following image when the 'arrests' start. It was painted on a fence in California a few days after the Charlottesville events. And you'd better hope to hell everyone in your family is straight, and white. A lot of the seeds being sown aren't for flowers.

The snow this time

Another snow is falling.

I have things to do, but I don't feel like doing them.

Watching the snow is peaceful, even with the roar of traffic going by; the sounds, not of quiet, but of tires on wet asphalt, punctuated by the whirrs of small motors, and the occasional groans of trucks.

I haven't been able to write much, and what I have been able to get out has been in orgasmic spurts on Facebook, commentary meant to attract the reader to news stories that seem important.

There are too many stories.
There is too much to try to understand.
There is too much to think about,
there is just too much.

One night last week, I watched 'Gojira', the 1954 Japanese movie that was altered for release in the United States, where it became known as 'Godzilla'. I dare say everyone knows the outline of the story: a few years after the atomic bomb, a monster arises from the seas, a monster that shows little use for logic, a monster bent on destruction.

Such plots call for a scientist who will quell the beast. In 'Gojira', that role was filled by Takashi Shimura, known to film buffs worldwide for his roles in the films of Akira Kurosawa. In his role as the scientist fighting Godzilla, every time the camera zoomed in for a close-up of his concerned face, all I could see was his face at the end of Kurosawa's 'Ikiru', in which he plays a bureaucrat struggling to find the meaning of life, his life, as he dies of cancer.

The picture I want to use as illustration shows the actor, in the snow, on a child's swing. It has a stock photo company's watermark on it. A lot of photos which used to be considered to be in the public domain are now claimed as the property of such companies. They want to be paid for their use, and the amount they want to be paid, even for a blog almost no one will read, is not cheap. I know the progression of this takeover for a fact, as for several years I have done occasional searches for particular photos, and watched as this has happened. In this case, a 65 year old photo from a Japanese movie is claimed to be under the ownership of a stock photo company. Much of the world seems to be becoming divvied up by owners who were not creators.

The snow outside of my window isn't sticking to the road yet, but is already piling up on the earth which had just started to suffer the appearance of crocus and the earliest signs of Spring.

About two weeks ago, I woke repeatedly throughout the night, which is not at all an unusual occurrence. That evening was different, however, in that every time I woke, I was in the same dream. I only remember the part at the end, from my stirring in the early morning. That's a metaphor, I suppose. In the dream, people were being rounded up. Color was draining out and everything was becoming, well, not black and white, but gray. Gradations of gray. Gray upon gray. People were being rounded up and sent off to somewhere. Younger men were being sent to the army, that much was known. Other people were being sent someplace unknown, to be unknown. I managed to sneak away from the roundup, and made my way down a long corridor which seemed an endless void. There were doors everywhere, lined up neatly, evenly, like some Levittown style apartment house. As I came close to my door, the corridor was flooded with people, people rounding up people, people trying to escape, there was a crush of people. I managed to open the door to my place, and snuck in, hopefully unobserved in the chaos. It was my space without a doubt. Except that my stuff had been largely removed. The furniture that was left had been covered by sheets and tarps, resembling one of those old closed up apartments opened years later with layer upon layer of dust covering everything. That was when I woke up.

The snow covers the world like layers of dust.

I feel stupid. I may have misread the situation, and the intentions of the Trump coterie. I just read several of the comments made by Nikki Haley, the new United States Ambassador to the United Nations. The situation in my country grows more surreal by the day, by the hour. I'd long assumed that the takeover by the reactionary right was an attempt to gut the government, to remove any help given to the working class, to move as much money and resources as possible to the rich, the oligarchs, the robber barons of our time. This seemed like the natural, and predictable, outcome of years of de-regulation, of lies and distortions by media representing the far right. A fight that had used the religious culture wars had paid off, but the cost was Donald Trump and the destruction of the Republican Party. I think I was wrong. I should have kept focus on the religious right. They don't just want to end abortion, or end gay rights (and gays). They don't just want their version of Sharia law, a world in which the husband will rule the home, with an obedient wife to wait on him (if she knows what's good for her - by now a working life in an often corporate culture should have taught women that they are expendable, their roles replaceable).

As I look at the proposed cuts to -this year's - budget, the toll in human misery can easily blind one to the toll on science, on the arts, on international aid, basically everything. I thought these people were simply ignorant of the interdependencies of the world, and had no understanding of the outcome of their actions.

But it's what they want. They are depending on it. Many of this crowd are fundamentalist Christians. The Bible is their word, their God, infallible, and Trump is His servant. They are not here to destroy the world so the United States can take over, so the moneyed class can acquire more than they already have. They are here to destroy the world. Period. They seek nothing less than to force Armageddon; they aren't looking for the end times - they consider that we are already in the end times. They are looking to hasten the end.

Mr. Trump isn't the intransigence and chicanery of the Republican Party come back to haunt them. He is their monster, rising out of the sea of their despair, come to destroy.

And me? I'm just another observer, a loser at life, swinging back and forth in the snow.

Paul's Grandfather and the sky blue sky.

It's a beautiful Saturday morning here in Vermont. It's gone from 29 degrees Fahrenheit when I started writing this blog entry, to 36 degrees; wispy cirrus clouds spread themselves over portions of a sky that can't seem to make up its mind if it wants to be light blue or Columbia blue.  The piles of snow reflect white, unless they are near the roadside, in which case they are topped with shades of sooty black, and disturbed dirt gray, an effect of automotive exhaust and road/sidewalk plowing. They remind me of the days when snow was generally mixed with soot, when hanging icicles at my father's house were multi-colored thanks to the Dupont plant about an hour's drive away. Memory drifts to my days at the beach, summer in Ocean City, and one particular trip to New York City. I was too poor at the time to afford more than an occasional visit to the laundromat, and having few "good" clothes, hand washed much of what I wore on a day to day basis. I washed my best non-suit shirt for a day trip to New York. The next morning, I washed it again. The water turned black, darker than the color of a well used cast iron frying pan. The black was from the soot in the air. That was the era when smog hung over our major cities and industrial areas, when breathing problems began to be noticed amongst the populace. The daily news programs on the tv reported a smog index. In 1970, under the administration of President Nixon, a Republican, the Environmental Protection Agency was created to deal with such problems. The concept for the EPA had been pushed by Democrats, and modeled on the suggestions which Representative George Miller (a Democrat) had put forth in 1959. More conservative Republicans, as well as major industries, have been attempting to discredit the agency, and gut its regulations, ever since - often using incredible distortions of the truth, and outright lies about the agency and its actions. In the meantime, due to the work of the EPA, the severity of smog was reduced in the United States to such point that it is barely mentioned anymore. This is not true of other countries, like China.

To help consumers make purchasing decisions based on cleaning up the environment, the Safer Choice label was created. Years later, the Energy Star ratings were added to consumer products such as air conditioners and heaters.

Our drinking water has been cleaned up and protected by the EPA. Legislation covered over 80% of our nation's drinking water supply. Reports often seem better than the actual situation, as a number of pollutants never came under regulation. And smaller streams are still used as chemical dumping grounds by corporations which refuse to foot the bill for proper disposal of their effluent. Stories of various areas of the country being told not to drink their water can be found a few times a year. That problem would be much worse if it weren't for the EPA.

The EPA's Clean Air Act was amended in 2011 to include greenhouse gases. Last year, the hole in our planet's ozone layer began closing.

These are just a few of the many things the EPA has accomplished. It is now an agency under siege. Within a day of two of President Trump's inauguration, all of the EPA's research on climate change was deleted from their website. A gag order was imposed by the President preventing any release of information from that agency. It gets worse; I'm only glazing the surface of what has been happening.

Yesterday, Scott Pruitt was approved by a vote of the majority Republicans in Congress to run the EPA, and sworn in as the head of the agency. As close as I can gather, this was done during the President's contentious news conference, in which he castigated news reporting as being unfair to him, mentioned his imagined margin of victory, insulted minorities, and comported himself in such a manner that his denial of creating chaos in the government was obviously a falsehood. Mr. Pruitt was yet another of President Trump's picks to run agencies which they have actively opposed or called for dismantling. Mr. Pruitt has described himself as a ""leading advocate against the EPA's activist agenda". Over the last 6 years as Attorney General of Oklahoma, he sued the EPA 14 times over water standards, clean air standards, coal emission laws, and etc. (all of his suits have failed). He also fought for "religious freedom" laws (which would allow someone to refuse business or other service to anyone whose existence violates their religious beliefs - i.e. legalized discrimination), and against the Affordable Care Act, abortion rights, and gay marriage (he even tried to claim that the ruling of the Supreme Court allowing gay marriage did not affect Oklahoma).

I could, and probably should, go on, but I won't.

Today's post was going to be about last night's screening of 'A Hard Day's Night', the 1964 movie which starred the Beatles. I guess I shouldn't have mentioned the blue sky, for that sent me off in another direction. I should probably note that part of the thread of the plot of 'A Hard Day's Night' centers on Paul's Grandfather, a cranky old man who spreads dissention, chaos, and creates arguments wherever he goes.

"Preposterous, but the laughter dies upon the lips."

Days have gone whizzing by again. Around the time I reached my 40's, I came to the realization that the years were going by quickly, but the days seemed to take forever. Now even the days go by quickly. It's a couple of the hours that have become painfully, agonizingly slow.

True story: I have a friend who comes over quite often. We spend a good deal of time not doing much, talking about the world while watching the news as I make dinner. Then we screen a movie. My friend has difficulty sitting through an entire feature without cigarette breaks, which he takes outside at my request. At any rate, about two weeks into the Trump Presidency, we put a film on hold while he took a cigarette break. As I was expecting a communiqué from someone, I used that pause to check my computer to see if the missive had arrived. When my friend returned, he saw me reading something off of the screen, while my left hand was raised to the side of my head. Without missing a beat, my friend asked, "What's he done now?"

Movies at my place look better in the dark, but this shows off the size of the screen.

On screen, Rod Taylor is about to take off in 'The Time Machine' (1960).

That's how it is now, in this age of the Trumpenstein monster. The news is the circus train wreck from which we can not look away, one of those overlong mid century modern Cecil B. DeMille roadshow spectaculars where they sold souvenir books along with the candy at Intermission. God forbid they stop carrying the souvenir books, you'll hear about it. It is probably worth pointing out that for the 1956 version of 'The Ten Commandments', the voice of God was uncredited. One of the rumors was that it was DeMille himself. My memory suddenly conjures up the early 1930's pre-code DeMille favorite, "The Sign of the Cross", a saga of early Christianity in which the faithful are sent to the lions, and Rome burns. One critic commented, "Preposterous, but the laughter dies upon the lips." That comment is easily applicable to the political situation in which my country finds itself. See, I can't even keep this paragraph focused. Indulging in free association has always been a bit of a hobby of mine, but then again I'm not the President of the United States speaking to reporters or supporters, or allegedly running the show.

Charles Laughton as Nero in "The Sign of the Cross" (1932), which is worth an entire post of its own (and will get one).

I was all set to comment upon some of the many movies I've watched since my last post, but at the moment... nope the thoughts are gone. See this is the problem. Mr. Trump is like some kind of 1950's black and white commie witch hunt paranoia sci-fi creature that sucks all the air out of a room. It would be an interesting phenomenon if we weren't all gasping for air while we slowly choke to death. It's all a roll of the dice.

From Ken Russell's 'The Boy Friend' (1971)

Several nights ago, I watched 'The Boyfriend', one of those Ken Russell movies that seems to have something to say, but which careens out of control, and goes both over budget, and on too long. It's somewhat unsatisfactory as a complete whole, but absurdly entertaining in many other respects. Based on what was supposed to have been a charming off Broadway style revue, Russell's movie tells a story that is pastiche backstage movie musical cliché, concerned with a struggling theatre troupe, and equally struggling actors, their temperaments, and their crushes. There is an on-stage story, with various complications arising from the backstage story, and then there are the imaginings of the actors, sometimes as themselves, and sometimes as their characters. Most of the scenes are photographed with such care to their design that they appear, at first, to be beautifully composed paintings, which convert almost immediately into low camp.

Twiggy as Pirouette in 'The Boy Friend'. 

I've always liked Russell's movies. They're fun entertainments, with frequently memorable images. I think my problem with 'The Boy Friend' is that it promises to say something about movies, or musicals, or whatever you please, but never quite gets there. It just skips off to another idea. Maybe the problem is that the viewer ends up identifying with the Glenda Jackson role of the star with the broken ankle; who can't go on and must sit in the audience the night the big Hollywood movie producer is in attendance. We should be in the show, but we're once removed, helpless in our seats. At any rate, my point in mentioning 'The Boy Friend' was that the morning after viewing it, I read the news, which of course centered on the new President, and immediately could not remember what movie I'd watched the night before.

Twiggy dances with her love interest, a chorus boy played by Christopher Gable.

The night after I watched 'The Boy Friend', I watched 'George Washington Slept Here', adapted from a Moss Hart - George S. Kaufman Broadway farce. I've never read the script, even though I was always fond of the Kaufman-Hart shows. While the movie version wasn't really successful, it wasn't painful either. Jack Benny was the city loving apartment dweller whose wife (Ann Sheridan) uses the family money to purchase a run down country place in Bucks County, PA (where several NYC theatre denizens had homes). Of course, complications ensue. It turns out that Washington hadn't stayed in the house - it was Benedict Arnold. There's a wonderfully taciturn handyman, played by Percy Kilbride to laconic perfection. (There is a story that Kilbride, who had performed the same handyman role on Broadway, and who was hired at Benny's insistence, so cracked up his co-stars that the film was going over budget due to re-takes. Benny allegedly resorted to staying up all night so that he'd be too tired to laugh during filming.)

The highlight of 'George Washington Slept Here' (1942) was Percy Kilbride's performance as Mr. Kimber.

Kilbride would later be typecast as Pa Kettle in a series of films with Marjorie Main as Ma Kettle.

Also involved in the storyline is a rich overbearing uncle in the guise of Charles Coburn. There's the cranky neighbor preventing happiness through any number of means, portrayed by Charles Dingle as though he had just wandered off the set of 'The Little Foxes'. Hattie McDaniel is the housekeeper. There's a bratty kid relative who comes to stay for the summer (his parents are divorcing, and neither want to deal with him). There's an ornery dog (who had played Toto in the 'Wizard of Oz' ). There's the actors who arrive for a summer theatre production of 'The Man Who Came to Dinner' (another Kaufman-Hart play). There's even a plague of locusts. If the house itself seems familiar, it was the set which had just been used for 'Arsenic and Old Lace'. There's plenty of topical jokes which only those versed in the news of 1941-42 will get. (The Lend-Lease program gets mentioned a couple of times, etc.) In the Broadway version of the show, the husband bought the house to the wife's dismay. That set up was changed to having the wife make the purpose to better match up with Benny's miserly, complaining character familiar from his radio show. Which gets a few in-jokes as well.

Of course, everything finally works out, and a letter from George Washington, which quotes Thomas Paine's "The American Crisis", is found and read. It may have addressed the situation of a United States that had been drawn into WWII, but there's enough in that letter that perhaps a revival of the show (maybe set in Vermont) is due:

"We are facing a time of peril so grave in our brief National history, that there is now only the choice of serving the country a little longer, or having a country no longer to serve... In the words of Thom Paine, 'These are the times that try men's souls. Tyranny, like hell, is not easily conquered; yet we have this consolation with us, that the harder the conflict, the more glorious the triumph. What we obtain too cheap, we esteem too lightly: it is dearness alone that gives every thing its value. Heaven knows how to put a proper price upon its goods; and it would be strange indeed if so celestial an article as freedom should not be highly rated.'

"I'm not crazy, my reality is just different from yours."

It has been difficult to return to writing here, even to just jot random notes about the movies I've watched. It's not that I don't want to do so, and it's not the laziness of older age; I think my reluctance has more to do with wanting to protect what has become my own little bubble of sanity and security. Movies, after all, have much value as escapism. As the ad campaign for 'That's Entertainment' put it, "Boy, do we need it now".

Ticket Booth, Times Square, 1954. Photo by Frank Oscar Larson.

Last night, the anchor of the CBS News program introduced a segment by saying, "It has been a busy day for presidential statements divorced from reality". My cable box has the capability to 'rewind' whatever has just been shown, kind of like a videotape could be rewound to replay something, or instant replay on a sports program. I had to go back and listen to that introduction again. At first, it was because I couldn't believe the anchor, Scott Pelley, had actually said it. Then I watched it again to savor the moment. And a third time to accurately note the wording of the quote. Frankly, I'm still amazed. It's not something I ever expected to hear on a news report. Certainly not on one of the major networks, and certainly not on CBS, once the center of great reporting by journalists like Edward R. Murrow, and Walter Cronkite, now fallen on the same hard times that beset most news departments under the purview of their networks' entertainment divisions. It would seem that even CBS News has had enough. The sad thing is that most people probably don't realize how important and unprecedented it was to make that statement.

 It is snowing at the moment. It is, as a voice somewhere in the back of my head would put it, "coming down at a pretty good clip". I don't have a particularly wonderful view; Putney Road gets a lot of traffic as it's the main artery going north to the land of shopping malls, empty stores, pizza joints, supermarkets, discount palaces, auto parts, and fast food. A couple of old mid 19th century mansions, once the homes of the local gentry, are in evidence peeking out from under trees, and from behind hedges of evergreen. Even with the traffic, it is still mesmerizing, calling forth the little boy still trapped somewhere within. It's probably the boy who is so entertained by the movies. Certainly the movies lead me to reading a number of books which became favorites. I often bemoan my books being in storage, but I suppose it's better that way. Just before they all got packed into boxes for the trip to a friend's early 18th century barn, I had to sell off quite a few of my best, my favorites, my - yes, friends. It was during a period of unemployment uncertainty and had to be done to raise the necessary emollient for modern life. I don't quite know what I still have left. I would be crushed to discover I sold my Compleat Sherlock Holmes, my annotated copies of Dickens, my reference edition (including manuscript) of 'Alice in Wonderland' and 'Through the Looking-Glass'. The Alice books have been on my mind a lot recently.

The quote which serves as the title for this post is from one of the Alice's. With the beauty of the falling snow visible before me, the image of falling down a rabbit hole into a world of nonsense seems a fit metaphor for the current political situation in these United States. I've occasionally railed against the present unpolitic politic on Facebook, which does not lend itself to writing of more than a few sentences. People seem to read a paragraph or so and move on. People post links to articles with wildly exaggerated headlines they think bolsters their reality, without having read the accompanying story. Only liberals and reporters seem to be bothered by statements which stress "alternative facts", as noted by one of President The Donald's hench spokespeople. I could go on and on, but I don't want to at the moment. I'm feeling peaceful while looking at falling snow, and such moments of peace are few and far between just now.

I'll try to force myself to come back later, or tomorrow, to make a few notes about some of the movies I'm already beginning to forget. After all, tomorrow is another day. (cue swelling music)